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Quadralis Pavilion: reflections from a year in industry student

Structural Engineer By Vera Sehlstedt, Engineer, Structural Engineering – 21 August 2025

A large wooden structure shaped like a tree with a wide canopy of interlocking beams and a narrow trunk; three people stand to the right, conversing.

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Vera Sehlstedt in a white shirt standing against a blurred background in the London office

Vera Sehlstedt

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As part of her year in the industry, Agnes Kullberg, Intern at our structural engineering team in London, was heavily involved with the Quadralis Pavilion and has written her reflections on the project and her time at Cundall. 

Cundall’s collaboration with the University of East London (UEL) and its Architecture department has been long-standing, involving student tutoring and the creation of the Trillium Pavilion. I was lucky to be part of this continuous collaboration as a designer and structural consultant, during my year in industry placement at Cundall before returning to university to complete my master’s degree. It’s been a truly rewarding experience, offering a unique perspective on how industry and academia can come together.

Creation of the Quadralis Pavilion

Together with UEL students and faculty, we designed the Quadralis Pavilion, a timber structure made of stacked joists arranged in a pattern inspired by Da Vinci’s reciprocal systems. Our key design goals were buildability, modularity, and reusability, reflecting the iterative process shaped by open dialogue between architects and engineers. We aimed to strike a balance between organic and parametric, decorative and structural, and what made the process special was that everyone involved had a voice in shaping the design.

Top view of the pavilion. Pattern inspired by Da Vinci's reciprocal systems.

A geometric wooden lattice made of light brown rectangular frames arranged in a repeating, interwoven pattern, forming a three-dimensional overlapping structure.

The geometry is parametric, done by scripting in grasshopper, Rhinoceros. For structural analysis, the model got exported to software ROBOT.

A flowchart with interconnected nodes and pathways in purple and yellow, divided into two sections with multiple labeled boxes and connecting lines.

For UEL’s end-of-year show 2025, the students built a 1:4 scale model of the pavilion. The digital fabrication team at UEL also contributed by designing a 3D-printed concrete base, which was prototyped in plastic for the mock-up.  

Seeing the physical model for the first time was a proud moment, something I had only visualised on screen was now materialised. From that mock-up, the design evolved into a table, which we later had the opportunity to build and showcase with students at Shanghai University.  

1:4 scale model of the pavilion at UEL.

A person stands behind a table displaying wooden block structures resembling architectural models; background includes posters with diagrams and text, a yellow chair, and a wall-mounted monitor.

Students assemble the Quadralis table in Shanghai.

Four people seated on the floor assembling a lattice structure with small wooden sticks; one holds a glue bottle, another uses a drill, and two arrange sticks.

Mentoring

In addition to the pavilion project, I worked alongside structural engineer Vera Sehlstedt to deliver technical tutorials for UEL’s architecture students. These sessions focused on structural principles such as connection design, load-bearing systems, and material use. It was both fun and creatively challenging to help students find feasible solutions without compromising their design intent. Some students initially expected us to dismiss unconventional ideas, but when we offered options that supported their vision, they were genuinely surprised. It was a great reminder of how important it is to foster collaboration between architects and engineers, not competition. 

Quadralis table in Shanghai.

A glass table supported by a wooden block structure forming its base and legs; two small signs with partially legible text rest on top; background includes a peeled wall and concrete floor.

It didn’t stop just at the design

Another highlight was contributing to a master’s thesis by Naomi Nakoulma, the lead designer of the Quadralis Pavilion. She reached out for input on timber design, 3D printing in clay, and façade systems. It was an interesting experience to participate in discussions on topics such as standardisation and customisation in construction, from an industry and academic point of view.  

The Quadralis Pavilion project has given me so much more than just technical skills. It’s helped me grow as a designer, a tutor, and a collaborator. I’m incredibly grateful for the experience and excited to see the pavilion come to life at full scale next year in London. 

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